2013 saw the completion (FINALLY) of Eeny Meeny Miney Malcolm, using a style of drawing inspired by memories of linocut (Brighton Printworks in the 80s, and BAA Corsham in the 70s) - a development of what I started in Box. Malcolm was also an experiment in using split screen to show two simultaneous stories (Sliding Doors with cake)... but also in using non-dialogue people noises. Thanks to my patient colleagues and friends for wasting considerable time squealing, grunting, laughing and sniffling into microphones. And this is (only one of the reasons) why I love my job
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